Watch enough Horror films and you notice Trends. Trends eventually become tropes, which eventually become cliches. Cliches lead to parody which begets apathy. Once things went down this road, most fans and critics wrote off the slasher genre as outdated and passe. Then something interesting happened. Wes Craven brought self awareness to the game. The Scream films, and even his earlier New Nightmare, to some extent, allowed audiences to revisit old territory with new twists. Whether you are a fan of the Scream films or not (personally I am not), it cannot be denied that  their self awareness revitalized and preserved the sub-genre. Final Girl has much of that same spirit, though applied much differently.


The concept of the Final Girl appears in almost every slasher film, depicting the one girl virtuous enough to avoid the obvious death traps of sex and drugs and overcome her vulnerabilities in an empowering battle of wills with the killer, whom she will ultimately triumph over (more or less). Director Tyler Shields tells us a visually entrancing story of an orphan girl who is trained to fight maniacs by a man who has lost his family to “Bad Men”. Veronica positions herself to be the perfect bait, then the swiftest of executioners by beating them at their own game. The film appears to be set in the 1950s, or at least is borrowing heavily from the look for the sake of visual appeal. Further adding to the appeal is a pseudo-surrealist set design with stark white lighting, improbable use of spotlights and framing reminiscent of a stage play. It’s not style over substance, but both style and substance make very bold statements in this film.


The killers are a curious quartet of young men who get together and hunt pretty young girls in the woods. Led by Jameson, a charismatic boy born with a silver spoon in his mouth, it is implied he is used to getting his way in every scenario. To him, there are no limits. Whatever whim he has will be indulged, even those of a violent nature. Shane appears to be the Beta of the group, he is the only one with a long term girlfriend, but it is his insecurities with this relationship which feed his violent impulses. Nelson is the bland Momma’s Boy of the group. He has, what we are lead to believe is a complex, possibly dysfunctional relationship with his Mother and like many before and after, this fuels his violence towards women. Lastly we have Danny Boy. Danny is the frantic ball of unfocused energy that in later decades would be a poster-child for ADHD, but in the 50’s was just known as a Wild-Child. He is always on, can’t sit still or keep his mouth shut, and requires constant stimulation. The rush of the kill seems to be his drug of choice.


Abigail Breslin makes it very easy to forget her days as a chubby yet adorable oddball in Little Miss Sunshine. She’s grown into a gorgeous young woman as well as a damn fine actress. Her portrayal of Veronica is subtle yet intense when the mood calls for it. She is as focused and calculating as she is dangerous, but can slip into a disguise of vulnerability at will. Her relationship with her mentor William is complex as well. Their Sensei/Pupil relationship complex, similar to a father/daughter kinda deal…but not without its share of sexual tension. They are both pretty fucked up, but its clear that they need each other. It’s a fun dynamic that I enjoyed watching and enjoyed thinking about even more. Final Girl doesn’t reinvent the wheel, because it doesn’t need to. What it does is shows us a different side of the wheel that allows us to appreciate it in ways we may never have before. This highly stylized, self aware Slasher receives my highest recommendations!



#31DaysOfHorror: Oct 26th


Oct 26th: Return Of The Living Dead(1985):


For a 1985 Horror Comedy with a wacky ensemble cast and dated(yet awesome) music, Dan O’Bannon’s “The Return Of The Living Dead” holds up incredibly well. This film remains one of the most fun films ever made. From Linnea Quigley’s iconic nude graveyard romp, the the epic Tar-man, who looks like a living Bernie Wrightson drawing, to the strains of “Do Ya Wanna Party?” by 45 Grave blaring as dozens of the undead crawl from their graves, this film hits on all cylinders!

more brains 3

Anyone who considers themselves a Zombie fan, and lets face it…there are an awful lot of you trendy lil bandwagon jumpers out there…owe a huge debt of thanks to ROTLD, as this was the film that introduced the notion of Zombies eating brains. Another plus for this film is the last minute inclusion of the incredible Clu Gallagher, who plays Burt, the owner of Uneeda Medical Supplies. Gallagher’s performance not only adds a fantastic presence to the film, but helped a largely unknown cast step their collective game up. But the real star of this film was, and always will be, The Tar-man!


Not only is this a dramatic leap forward in Zombie portrayal, as far as make-up effects go, as well as over-all design, but the producers were able to find an Actor who actually had a the body type to wear the suit and make it look convincing. Take a moment to appreciate that. Not only was this person( Allan Trautman), very thin, but incredibly limber and had fantastic muscle control. He manages to pull off staggering, stumbling movements that look as iff the bones themselves will pop out of their loosened joints at any second.  It’s no secret that this film is quite silly, I think we can all agree it makes up a large part of it’s charm, but it is very ahead of it’s time. At the beginning, warehouse worker Frank, acknowledges that “Night Of The Living Dead”(it’s linear predecessor) is a real film, and that it was based off of a “real event” that happened within the universe of ROTLD. This pre-dates the wave of Meta-films we would see later on such as Wes Craven’s New Nightmare, and the Scream series. The notion that a film is aware of the existence of a certain film, and opperates outside of that reality, effectively portraying “real-life” is largely lost in this film though. After the initial mentioning of it, it pretty much gets glossed over in favour of Punk Rock, Brain Munching, and tits. Fair Trade.


Full Film: